‘One Cut of the Dead’ Review: A Fresh Take on the Zombie Flick
By Elisabeth Vincentelli One Cut of the Dead (Not Rated) Opening September 24, 2019 from NYT Critics' Pick https://ift.tt/2rwr2qI Read More
‘Little Women’ Review: This Movie is Big
By A.O. Scott Little Women (PG) Opening December 25, 2019 from NYT Critics' Pick https://ift.tt/2SoDzY7 Read More
‘Invisible Life’ Review: Sisterhood Is Stronger Than Patriarchy
By Glenn Kenny The Invisible Life of Euridice Gusmao (R) Opening December 20, 2019 from NYT Critics' Pick https://ift.tt/35DTHZI Read More
‘Richard Jewell’ Review: The Wrong Man
By A.O. Scott Richard Jewell (R) Opening December 13, 2019 from NYT Critics' Pick https://ift.tt/35irmrt Read More
‘Uncut Gems’ Review: Adam Sandler’s Punch-Drunk Hustle
By Manohla Dargis Uncut Gems (R) Opening December 25, 2019 from NYT Critics' Pick https://ift.tt/38AD8Q3 Read More
‘Cunningham’ Review: Exploring Space, Time and Dance in 3-D
By Brian Seibert Cunningham (PG) Opening December 13, 2019 from NYT Critics' Pick https://ift.tt/2YIzL5k Read More
‘Portrait of a Lady on Fire’ Review: A Brush With Passion
By A.O. Scott Portrait of a Lady on Fire (R) Opening February 14, 2020 from NYT Critics' Pick https://ift.tt/2DQgs05 Read More
‘The Aeronauts’ Review: High Anxiety
By Jeannette Catsoulis The Aeronauts (PG-13) Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/2DNhqdt Read More
‘In Fabric’ Review: The Dress Is Possessed. But It Was on Sale.
By Glenn Kenny In Fabric (R) Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/34UiW9F Read More
‘Midnight Family’ Review: The Night Stalkers of Mexico City
By Manohla Dargis Midnight Family () Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/2Ygv8yU Read More
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