‘One Cut of the Dead’ Review: A Fresh Take on the Zombie Flick
By Elisabeth Vincentelli One Cut of the Dead (Not Rated) Opening September 24, 2019 from NYT Critics' Pick https://ift.tt/2rwr2q...Read More
‘Little Women’ Review: This Movie is Big
By A.O. Scott Little Women (PG) Opening December 25, 2019 from NYT Critics' Pick https://ift.tt/2SoDzY7 Read More
‘Invisible Life’ Review: Sisterhood Is Stronger Than Patriarchy
By Glenn Kenny The Invisible Life of Euridice Gusmao (R) Opening December 20, 2019 from NYT Critics' Pick https://ift.tt/35DTHZI...Read More
‘Richard Jewell’ Review: The Wrong Man
By A.O. Scott Richard Jewell (R) Opening December 13, 2019 from NYT Critics' Pick https://ift.tt/35irmrt Read More
‘Uncut Gems’ Review: Adam Sandler’s Punch-Drunk Hustle
By Manohla Dargis Uncut Gems (R) Opening December 25, 2019 from NYT Critics' Pick https://ift.tt/38AD8Q3 Read More
‘Cunningham’ Review: Exploring Space, Time and Dance in 3-D
By Brian Seibert Cunningham (PG) Opening December 13, 2019 from NYT Critics' Pick https://ift.tt/2YIzL5k Read More
‘Portrait of a Lady on Fire’ Review: A Brush With Passion
By A.O. Scott Portrait of a Lady on Fire (R) Opening February 14, 2020 from NYT Critics' Pick https://ift.tt/2DQgs05 Read More
‘The Aeronauts’ Review: High Anxiety
By Jeannette Catsoulis The Aeronauts (PG-13) Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/2DNhqdt Read More
‘In Fabric’ Review: The Dress Is Possessed. But It Was on Sale.
By Glenn Kenny In Fabric (R) Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/34UiW9F Read More
‘Midnight Family’ Review: The Night Stalkers of Mexico City
By Manohla Dargis Midnight Family () Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/2Ygv8yU Read More
‘The Body Remembers’ Review: One Prospers, the Other Doesn’t
By Jeannette Catsoulis The Body Remembers When the World Broke Open () Opening November 29, 2019 from NYT Critics' Pick https://...Read More
‘Les Misérables’ Review: Injustice Still Stalks the Poor of Paris
By Glenn Kenny Les Misérables (R) Opening Unknown Date from NYT Critics' Pick https://ift.tt/2qK8SkW Read More
‘63 Up’ Review: Time Keeps on Slippin’, Slippin’, Slippin’
By Manohla Dargis 63 Up () Opening November 27, 2019 from NYT Critics' Pick https://ift.tt/34oxoXi Read More
‘Queen & Slim’ Review: Love on the Run
By A.O. Scott Queen & Slim (R) Opening November 27, 2019 from NYT Critics' Pick https://ift.tt/34qYhcY Read More
‘Varda by Agnès’ Review: A Final Visit With an Irreplaceable Filmmaker
By A.O. Scott Varda by Agnès () Opening November 20, 2019 from NYT Critics' Pick https://ift.tt/2QCqQA6 Read More
‘Hala’ Review: Girl, Disrupted
By Jeannette Catsoulis Hala (R) Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/2s5fb2J Read More
‘Waves’ Review: The Shattering Ebb and Flow of Family Life
By Manohla Dargis Waves (R) Opening November 15, 2019 from NYT Critics' Pick https://ift.tt/2Oc5LKf Read More
‘Atlantics’ Review: Haunted by Ghosts and Injustice in Senegal
By A.O. Scott Atlantics () Opening Unknown Date from NYT Critics' Pick https://ift.tt/2NNJ5Rq Read More
‘The Hottest August’ Review: Ordinary New Yorkers Facing Extreme Heat
By Glenn Kenny The Hottest August () Opening November 15, 2019 from NYT Critics' Pick https://ift.tt/2rFquOJ Read More
‘Ford v Ferrari’ Review: It’s a Gas
By A.O. Scott Ford v Ferrari (PG-13) Opening November 15, 2019 from NYT Critics' Pick https://ift.tt/2KjXNxy Read More
‘Recorder: The Marion Stokes Project’ Review: A VCR Obsession
By Glenn Kenny Recorder: The Marion Stokes Project () Opening Unknown Date from NYT Critics' Pick https://ift.tt/33Ov2R4 Read More
‘Marriage Story’ Review: Dance Me to the End of Love
By A.O. SCOTT Marriage Story (R) Opening December 6, 2019 from NYT Critics' Pick https://ift.tt/2pJjBvi Read More
‘American Dharma’ Review: What Makes Steve Bannon Tick?
By BEN KENIGSBERG American Dharma (R) Opening November 1, 2019 from NYT Critics' Pick https://ift.tt/2C1nOwN Read More
‘Redoubt’ Review: Diana the Huntress Manifests in Idaho
By GLENN KENNY Redoubt () Opening Unknown Date from NYT Critics' Pick https://ift.tt/2NlZrzk Read More
‘Synonyms’ Review: Brilliant. Relentless. Comic. Tragic.
By MANOHLA DARGIS Synonyms () Opening October 25, 2019 from NYT Critics' Pick https://ift.tt/2N3uFLe Read More
‘Black and Blue’ Review: A Cop Thriller for Our Age of Dread
By A.O. SCOTT Black and Blue (R) Opening October 25, 2019 from NYT Critics' Pick https://ift.tt/2Jkwcvp Read More
‘Western Stars’ Review: Bruce Springsteen and Broken Cowboys
By KEN JAWOROWSKI Western Stars (PG) Opening October 25, 2019 from NYT Critics' Pick https://ift.tt/32KN5Y3 Read More
‘Making Waves’ Review: How Sound in Cinema Moves Us
By GLENN KENNY Making Waves: The Art of Cinematic Sound () Opening October 25, 2019 from NYT Critics' Pick https://ift.tt/2BHKK4...Read More
‘Burning Cane’ Review: Poverty and Despair in Rural Louisiana
By GLENN KENNY Burning Cane () Opening October 25, 2019 from NYT Critics' Pick https://ift.tt/2JdEUf5 Read More
‘The Elephant Queen’ Review: Magnificent Images of Majestic Animals
By KEN JAWOROWSKI The Elephant Queen (PG) Opening Unknown Date from NYT Critics' Pick https://ift.tt/31lN23s Read More
‘The Cave’ Review: Do No Harm, for as Long as Possible
By BEN KENIGSBERG The Cave (PG-13) Opening October 18, 2019 from NYT Critics' Pick https://ift.tt/32mab6Y Read More
‘By the Grace of God’ Review: A Devastating Film About Survivors of Abuse
By GLENN KENNY By the Grace of God () Opening October 18, 2019 from NYT Critics' Pick https://ift.tt/35Ldyqq Read More
Review: Two Films From Rosine Mbakam Explore West African Women’s Identity
By TEO BUGBEE The Two Faces of a Bamiléké Woman () Opening October 16, 2019 from NYT Critics' Pick https://ift.tt/35whfjz Read More
Review: Two Films From Rosine Mbakam Explore West African Women’s Identity
By TEO BUGBEE Chez jolie coiffure () Opening October 16, 2019 from NYT Critics' Pick https://ift.tt/35whfjz Read More
‘Parasite’ Review: The Lower Depths Rise With a Vengeance
By MANOHLA DARGIS Parasite (R) Opening Unknown Date from NYT Critics' Pick https://ift.tt/2M6d7iC Read More
‘In My Room’ Review: Alone Again, Unnaturally
By JEANNETTE CATSOULIS In My Room () Opening October 11, 2019 from NYT Critics' Pick https://ift.tt/2ou9hGU Read More
‘Pain and Glory’ Review: Almodóvar’s Dazzling Art of Self-Creation
By MANOHLA DARGIS "Pain and Glory" (R) Opening October 4, 2019 from NYT Critics' Pick https://ift.tt/2AR4Ict Read More
‘Celebration’ Review: The Final Stand of Yves Saint Laurent
By GLENN KENNY Celebration () Opening October 2, 2019 from NYT Critics' Pick https://ift.tt/2mKAi8c Read More
‘The Irishman’ Review: The Mob’s Greatest Hits, in a Somber Key
By A.O. SCOTT The Irishman (R) Opening November 27, 2019 from NYT Critics' Pick https://ift.tt/2lKC4pg Read More
‘First Love’ Review: Eluding Assassins With the Help of a Boxer
By GLENN KENNY First Love () Opening September 27, 2019 from NYT Critics' Pick https://ift.tt/2lXxswa Read More
‘Ad Astra’ Review: Brad Pitt Orbits the Powers of Darkness
By MANOHLA DARGIS Ad Astra (PG-13) Opening September 20, 2019 from NYT Critics' Pick https://ift.tt/30aZ2cm Read More
‘Diego Maradona’ Review: A Soccer Player Who Got His Kicks
By BEN KENIGSBERG Diego Maradona () Opening September 20, 2019 from NYT Critics' Pick https://ift.tt/2M4Aibw Read More
‘Ms. Purple’ Review: The Ties That Bind (and Sometimes Strangle)
By JEANNETTE CATSOULIS Ms. Purple () Opening September 6, 2019 from NYT Critics' Pick https://ift.tt/2LsWRaX Read More
‘América’ Review: A Matriarch’s Illness Unites and Divides a Family
By GLENN KENNY América () Opening September 13, 2019 from NYT Critics' Pick https://ift.tt/2O44xlw Read More
‘Chained for Life’ Review: Truths Seen and Unseen
By BEN KENIGSBERG Chained for Life () Opening Unknown Date from NYT Critics' Pick https://ift.tt/2HY0fsn Read More
‘Jinn’ Review: A Not So Typical Coming-of-Age Story
By AISHA HARRIS Jinn (Not Rated) Opening November 16, 2018 from NYT Critics' Pick https://ift.tt/2UtiBq8 Read More
‘Linda Ronstadt: The Sound of My Voice’ Review: And What a Voice It Is
By A.O. SCOTT Linda Ronstadt: The Sound of My Voice (PG-13) Opening September 6, 2019 from NYT Critics' Pick https://ift.tt/2ZAU...Read More
‘The Load’ Review: Meeting History On the Road From Serbia to Kosovo
By GLENN KENNY The Load () Opening August 30, 2019 from NYT Critics' Pick https://ift.tt/2zsiLV9 Read More
‘Jawline’ Review: Lives Measured in Follower Counts
By BEN KENIGSBERG Jawline () Opening August 23, 2019 from NYT Critics' Pick https://ift.tt/2KR6QGF Read More
Genèse Review: Crossing Borders Between Films
By BEN KENIGSBERG Genesis () Opening August 23, 2019 from NYT Critics' Pick https://ift.tt/2ZaDxb8 Read More
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